DynamicsĪnother factor that adds to complex nature of this song is the variation is sound. With the length of the song (9:53) distinct change within the song creates the illusion that these two parts are completely separate songs. The first half of the song has a different chorus than the second half. The beginning starts with the chorus then leads into a transitional verse which then flows into the actual first verse. While listening this song, it is separated into parts. This song in particular is credited as “nearly 10-minute epic that touches on everything from club music to good old-fashioned slow jam R&B” (Dobbins)
Pyramids was written by Frank Ocean and James Ryan Ho and was produced by Frank Ocean, Malay, Om’Mas Keith in Hollywood. He had previously made mix tapes and would post his music on SoundCloud. In contrast to my analysis of a song from the 20’s, this song was released very recently.įrank Ocean is a younger artist this song is actually from his 2012 debut album. It’s an unpredictable, flavor-packed delight that will have you dancing before you know what’s what.I have recently found that I am starting to prefer relaxed music. “We OK,” the single off of the group’s new album MTMTMK, was co-written by chart-topping wizard Bruno Mars and heavily features international hip-hop star K’Naan. The Very Best is a collaboration between London-based DJ/production duo Radioclit and Esau Mwamwaya, a singer from Malawi. Relinquish your need to understand what, exactly, is going on, and let “Pyramids” work its weird magic–nine-minute songs this consistently exciting don’t come around every day.įor those disillusioned with this summer’s Top 40 offerings, here’s some international electro-pop with plenty of uplift to go around. The story’s distinctly Ocean’s, though, and from what I can gather, it involves a very sad man who is desperately in love with a prostitute. It sounds like the super beautiful sonic baby of Prince, Stevie Wonder and Jimi Hendrix. Arguably the best song off of it, “Pyramids” is an R&B epic poem and a nine-minute masterpiece. Odd Future’s silken-throated Frank Ocean made a huge statement this summer with Channel Orange, an absurdly creative neo-soul album that peaked at #2 on the Billboard charts. If you’ve not been introduced to Miguel yet – his big break feels inevitable – this is the perfect place to start. It sounds familiar in good ways and fresh in even better ones. Employing throbbing bass, hiccupped vocals and layered harmonies, “Adorn” is a creative take on the classic “come-on-over plea” that strikes a perfect balance of smoothness and texture.
“Adorn,” the single off of R&B savant Miguel’s upcoming Kaleidoscope Dream: The Water Preview, is an inventive soul classic in the vein of Frank Ocean and Marvin Gaye. One of my favorite music critics called this song “our generation’s ‘Sexual Healing,'” and I’d say he was right on the money. “Don’t leave me, oh, you’re my best friend/ all of my life, you’ve always been,” frontman Hamilton Leithauser pleads before mounting into an energetic, surf-rock chorus worthy of a fist-pump. The title track is a commemoration of their decade-long friendship that sees the suited-up group letting loose for the musical equivalent of a group high-five. Who said brooding indie rockers can’t have team spirit? Try telling that to The Walkmen, a Brooklyn-based five-piece that celebrated their tenth year as a band this May with the release of Heaven, their tightest, catchiest and most accessible album yet. A slew of precious guest verses, a bumpin’ bassline and a shout-along chorus make this song as crunchy and addictive as the high-calorie gas station treats it describes. “Hot Cheetos & Takis” is a rare treat, the kind of infectious, in-your-head-for-days summer jam that comes but once a year. RichKids has not rocked your world yet, hop on over to YouTube quick. If the afterschool-program-turned-rap-collective Y.N.